In Search Of A
Midnight Kiss
***PRODUCTION
NOTES***
Runtime: 90 Minutes
This film is not
yet rated.
Written and Directed
by Alex Holdridge
Starring:
Scoot McNairy, Sara
Simmonds, Brian McGuire, Katy Luong
And
Twink Caplan
With
Nic Harcourt
Press Contacts:
Los Angeles New York
Joy Phillips Betsy
Rudnick
GS Entertainment Marketing Group
Falco Ink
JoyPhillips@gsemg.com
betsyrudnick@falcoink.com
323.860.0270
(office) 212.445.7100 ext. 17
832.654.4360
(cell)
www.InSearchOfAMidnightKiss.com
FILMMAKERS:
Writer/Director Alex
Holdridge
Producers Seth
Caplan
Scoot
McNairy
Executive Producer Anne
Walker-McBay
Director of Photography Robert
Murphy
Editor Frank Reynolds
Editor Jacob
Vaughn
Gaffer Justin
Huin
Lost Shoe Photography Johanna Jarco
CAST:
Wilson Scoot
McNairy
Vivian Sara
Simmonds
Jacob Brian
Matthew McGuire
Min Katy
Luong
Buoy Bret
Roberts
WilsonÕs Mom Twink
Caplan
Jack Robert Murphy
Radio DJ Nic Harcourt
Neighbor #1 Annie Chatterton
Neighbor #2 Cindy Drummond
Maitre dÕ Giorgio Pierangeli
Child Michael Pierangeli
Stevie Bruce Jay
JacobÕs Mom Stephanie Feury
WilsonÕs Sister Julie Levin
VivianÕs Mom Alicia McNairy
Karen Via Osgood
Neptune Justin Huin
Subway man with roses Angel Diamond
Gay Date Caller Sandra Lindquist
Hooker Caller Regina Crosby
Party DJ Travis
Johnson
In Search of a Midnight Kiss
ÒOne man's search
for a midnight kiss on New Year's Eve.Ó
Synopsis
In Search of a Midnight Kiss is a rollicking comic ride and tender journey though
love, sex, and modern romance in Los Angeles on New YearÕs Eve.
WILSON (Scoot McNairy), a
twenty-nine-year old guy who has just had the worst year of his life, is new to
Los Angeles, has no date, no concrete plans and every intention of locking the
doors and forgetting the last year ever happened. That is until his best
friend, Jacob (Brian McGuire), browbeats him into posting a personal ad on
CraigÕs List. When Vivian (Sara Simmonds), a strong-willed woman hell bent on
being with the right guy at the stroke of midnight responds, a chaotic,
sometimes hilarious, sometimes touching journey through the black and white
streets of L.A. begins. In the waning hours of the year, emotional
vulnerability and bitterly honest humor seem to be waiting around every corner.
In Search of a Midnight Kiss is directed by award-winning filmmaker, Alex Holdridge, whose last film, Sexless, is the only movie to have won both the Jury and Audience Award for best feature film at the SXSW film festival (2003). The veteran art house producer Anne Walker, (Before Sunrise, Dazed and Confused) is Executive Producer. It stars Scoot McNairy (Art School Confidential, Six Feet Under) and Sara Simmonds (Echoes of Innocence). The film is produced by Seth Caplan (Flatland) and Scoot McNairy. Editing is by Jacob Vaughn (Cassidy Kids, Dear Pillow) and Frank Reynolds (In the Bedroom). In Search of a Midnight Kiss is a blend of up-and-coming talent and proven experience making it a dazzling independent film not to be missed.
Production Notes
ORIGINS
The origins of In Search Of A Midnight Kiss begin in Austin, Texas where ALEX
HOLDRIDGE (Writer/Director) made his first two films (Wrong Numbers, Sexless). Both films were well
received, and the success of Sexless – the first film ever to capture both
the SXSW Audience and Jury awards – motivated Alex to move to Los Angeles
to pursue his film career.
Holdridge took heavy inspiration from his early days in LA
for In Search of a Midnight Kiss.
The film follows the theme of what aspiring young Hollywood hopefuls do when
the phone doesnÕt ring. Knowing that resources would be scarce, Alex wrote the
film with several key collaborators in mind, including SCOOT MCNAIRY (Producer,
ÒWilsonÓ), BRIAN MCGUIRE (ÒJacobÓ), SARA SIMMONDS (ÒVivianÓ), and ROBERT MURPHY
(Cinematographer, ÒJackÓ).
On January 2, 2006 Alex contacted SETH CAPLAN (Producer),
who was busy soaking up college football after just wrapping two features in
the past six months. Alex pitched
the opening scene of the movie, the basic plot and the actors who had already
signed-up. Caplan had to turn the television off and get to work as Holdridge
had arranged for the cinematographer and camera package to arrive in LA to
begin shooting on January 9thÉjust one week away.
CAST
For casting Holdridge first looked to his old friends whom
heÕd worked with on two previous films. The talented Scoot McNairy, fresh from
a role in Terry ZwigoffÕs Art
School Confidential and
a multi-episode stint on HBOÕs Six
Feet Under, was a
natural for the main character. McNairyÕs genuine everyman quality and great
sense of comedy make "Wilson" a sympathetic and funny lead for the film. Scoot was also critical in making the
movie happen, whether it was finding an actor, obtaining production equipment
or providing that can-do spirit to help resolve any challenge that production
presented.
The beautiful Sara Simmonds had just completed her starring
role in the film Echoes of Innocence when Holdridge
mentioned the project to her. Holdridge brought Simmonds on early and she
helped him develop the ideas, talking through the story while actually walking
the streets of Downtown LA. Much of what they discussed on their walks made it
into the final script. Holdridge understood her range as an actor and
felt comfortable building a complex comedic character that in the end had to
disarm and show subtle vulnerability.
The hilarious Brian McGuire was real-life roommates with
Holdridge when they first moved to LA. Wilson and JacobÕs apartment in the
movie is the actual apartment where McGuire and Holdridge lived. Playing a leading role in Sexless, Alex knew how deep BrianÕs comedic and
dramatic talents were and developed the part around him. Brian brings a strong likable quality
to JacobÕs character, coming off as shy even when heÕs being boisterous.
RORBERT MURPHY who shot the film beautifully also plays the
part of the wild, cowboy, "Jack". RobertÕs performance in previous films as a wild Southerner,
inspired Holdridge to develop an uninhibited confrontational scene, he knew
Robert would play perfectly. His
performance is certainly one of the funniest and most memorable of the entire
film.
Scoot McNairy also helped cast the film by finding KATIE
LUONG (Min) and TWINK CAPLAN (WisonÕs Mother). Twink joined the project when in a pinch, Scoot called his
manager and business partner, JOHN PIERCE, to help fill a role that was set to
be filmed that evening. Twink
received the call and threw caution to the wind and agreed. Not having seen the script till she
showed up on set, she delivered an amazing performance that became a highlight
of the movie.
PRODUCTION
Holdridge and Caplan, both avid University of Texas football
fans, took inspiration for the production from UTÕs title winning game on
January 4, 2006. In that famous game, quarterback Vince Young led an
underdog UT team to victory over the University of Southern California in the
Rose Bowl. The cast and crew of Midnight Kiss – all of whom are either from or
have lived in Texas – identified with the UT football team. They too were
a group of underdog Texans fighting for victory in Los Angeles against the
large institutional forces of Hollywood.
Production was focused, efficient, and creative. The
guerilla-style shoot required everyone to pitch in to make each shot happen.
From dialogue suggestions to holding a bounce board, every actor and crew
member contributed to the project in more ways than their title reveals.
A large portion of production was shot on the streets of
downtown Los Angeles. Director
HoldridgeÕs vision for the film was to utilize the grimy faded grandeur of
Downtown LA. While downtown is a film production hub of the city, Midnight
Kiss is unique for
shooting this area in a vŽritŽ style that exposes both its decay and its
beauty.
After filming the first 70 pages of the script in just nine
days the team knew this would be a special movie. Holdridge began cutting
scenes together and the magic jumped off the screen. As soon as team members
saw the footage a decision was made to raise more money and complete shooting
of the original script
The entire team reconvened one month later for two more
weeks of filming. With renewed purpose the cast and crew labored through 20
hour days to finish filming. The productionÕs light and quick nature allowed
for the improvisation required of low-budget filmmaking.
One day the team set up to shoot VivianÕs motel room scene.
Holdridge and Murphy had planned out all the shots in the room. However, once
the hotel owner spotted the set dressing -- empty liquor bottles and
prescription drug pill boxes --he kicked everyone off the set and threatened to
call the police. The team packed up while producer Caplan found a hotel down
the street and booked a room. Ninety minutes later the scene had been set-up
and shot in the new hotel roomÉjust as the manager of that hotel threatened to
call the police based on similar suspicions.
Additional filming took place in Austin, Texas to complete
footage for montage sequences including the opening shots of kissing couples.
EDITING
After production wrapped director Holdridge took a first
pass at cutting together the footage. Holdridge sent a rough assembly to
FRANK REYNOLDS (Editor), editor of the Academy Award nominated film In the Bedroom. Extremely impressed with what he
saw, Reynolds caught a plane to Los Angeles within a week. Reynolds spent eight
weeks shaping the first assembly of the film before departing to work on a
previous editing commitment back in New York.
Jacob Vaughan (Editor) assumed the editorial reigns. Vaughan
and Holdridge labored for over three months to shape and perfect the story. By
late summer, they had a presentable cut.
POST-PRODUCTION
AND BEYOND
ANNE WALKER-MCBAY (Executive Producer) was a big fan of
HoldridgeÕs after seeing his first two films. Walker-McBay - the first person to receive a copy of
Vaughan and HoldridgeÕs cut – instantly loved the film and signed on to
Executive Produce. She had visited the set during production and
reminisced on the similarities to her first film, Richard LinklaterÕs Slacker. Walker-McBay, eager to help the film
reach a wider audience, sent Midnight Kiss to her long-time friend JOHN SLOSS of Cinetic Films.
John
Sloss loved the film at first sight and suggested that the movie premiere at the
Tribeca Film Festival. The team grew to include sound designers and digital
colorists. Additionally, the team worked hard to get the word out by producing
a website and publicity photo shoot. Through the entire production this
talented and hardworking team has relished in their collaboration and
friendship to make a great piece of art together!
Biographies – Cast
Scoot McNairy
Besides starring in and
producing ÒIn Search of a Midnight KissÓ (directed by his old buddy Alex
Holdridge) Scoot has appeared on TV (ÒSix Feet UnderÓ, ÒJake in ProgressÓ,
ÒClose to HomeÓ), in two TV pilots (ÒMore, PatienceÓ and ÒGood Girls DonÕtÓ)
and in films (ÒArt School ConfidentialÓ from director Terry Zwigoff and
opposite John Malkovich; ÒTwistedÓ from Director John Asher; ÒThe Shadow
EffectÓ from directors Jared and Justin Varava; the upcoming ÒThe Listening
PartyÓ opposite Selma Blair, Neil Young, and Seth Green, and ÒThe FallÓ from
director John Krugger,).
Scoot McNairy started on a winding, fateful path to
Hollywood by way of Richardson, Texas. His love of the entertainment
industry found its seeds in a local theater where his parents sent him for an
after school activity. However, after doing a number of plays at a young
age ScootÕs love of the outdoors won out and he spent the rest of his childhood
fishing.
When Scoot moved to Austin, Texas he met Alex
Holdridge, who gave him his first movie role in the feature film ÒWrong
NumbersÓ, which went on to win the Ausitin Film Festival. You would think
this experience would have led Scoot straight to Hollywood. But no, Scoot
decided his next move should be to British Columbia to be a glacier
guide. When a back injury put ScootÕs hopes of climbing on hold he
finally found himself in Los Angeles, pursing his interest in cinematography at
film school. A year later Scoot landed a job building sets, which led to
a friend at work introducing Scoot to an agent. ÒI met John and he told
me there was not a chance in hell he would represent me. So I showed up at
his office two weeks later with some 4X6 photos and he gave it a run, which has
turned into five years of working togetherÓ. From this chance
meeting with John, Scoot has recently started his own production company, Group
Films, partnering with John Pierce and his former agent from UTA Josh
Klein. They are currently working on a film project with director
Tony Kaye (ÒAmerican History XÓ) and writer Robert McKee.
Sara Simmonds Sara Simmonds became a local Texas star of
commercials, theatre, and independent film before her recent move to Los
Angeles. She co-starred in Sexless from director Alex Holdridge,
which won the Jury Prize at the South by Southwest Film Festival. Holdridge wrote
In Search of a Midnight Kiss with Sara in
mind.
This stunning native of Houston, Texas was born to
very young, artistic parents; mom a painter and dad a building designer so Sara
was mostly raised by her grandparents. She was in tap and ballet class from age
four and loved theatre as early as junior high. No school play went forward without
Sara, including her stellar performance in The Scarlet Letter; she then studied
acting at the University of Houston for a couple of years. She left school when
professional acting assignments were taking all of her time. Thrilled to be a
working actress and a member of the prestigious Main Street Theatre Company,
she starred in Beth HenlyÕs Debutante Ball and won Best Actress from the
Houston Chronicle Theatre Awards.
Realizing that a future in film would require a move
to Los Angeles, she relocated and immediately found an agent. Just a few weeks
later Sara landed a starring role in New World Pictures feature Echoes of
Innocence opposite Jake McDorman (Aquamarine, Bring It On: All or Nothing), which was released nationally in 2006.
Brian Matthew McGuire is a man of many talents. Actor. Writer. DJ.
Musician. He can currently be found planning to shoot Working The Combover,
a joint collaboration with writing partner Dan Finkle.
McGuireÕs
acting credits include Appetite for Construction for which he won the Cinema
Texas Best Actor Award; The
Cassidy Kids starring Anne Ramsay (ÒSix
Feet UnderÓ), Kadeem Hardison and
Judah Freidlander (Ò30 RockÓ); Dear Pillow, winner of the Atlanta Film Festival Grand Jury
Award and the Boston Underground Film Festival Bunny Award; Sexless written and directed by Alex Holdridge; Wrong
Numbers, another feature written and
directed by Alex Holdridge, co-written by Sam Merrick, and winner of the Austin
Film Festival Audience Award; Adam RifkinÕs Detroit Rock City; a co-starring role in ÒTwo Mothers for Zachary,Ó a
GLAAD Media Award winning made for TV movie starring Vanessa Redgrave; and a
leading role in Jesus for Judson
written by award winning Jacob Vaughn.
McGuire is also a
successful musician fronting his band ÒGENE WILDERÓ as well as DJing at
nightclubs around the world. Some of McguireÕs music is featured on the
soundtrack for In Search of a Midnight Kiss
and can be found on his label, LEFTHOUSE RECORDINGS.
McGuire was born
in Chicago Illinois. He is the second of seven Irish kids and lives true to the
quote, ÒOnly real Irishmen are from Chicago.Ó
Katy Luong stepped on the acting scene over ten years ago. Her
film credits include a leading role in the short Lead;
co-starring roles in Hunger, a film set
for release later this year; Color Blind, a short currently on the festival circuit and Spirits, a Vietnamese horror film. LuongÕs supporting film
roles include Missing Brendan
starring Adam Brody, Edward Asner and Illeana Douglas; 8 Days, a short written and directed by comedian Dane Cook;
Green Dragon starring Patrick
Swayze and Academy Award winner Forest Whitaker; Dead Man on Campus directed by Alan Chon (ÒThe Real WorldÓ) and
starring Tom Everett Scott, Mark Paul Gosselaar and Linda Cardellini and 2
Days in the Valley starring Jeff Daniels,
Teri Hatcher, James Spader and Academy Award winner Charlize Theron.
On the small screen Luong has taken on supporting
roles in ÒThreat MatrixÓ, ÒJAGÓ, ÒThe Magnificent SevenÓ and ÒBaywatchÓ.
Luong was born in Vietnam and grew up in Orange
County which allowed her to enter the acting scene at a young age. Her hobbies
and passions include cooking and photography.
Bret Roberts most
recently appeared on FXÕs ÒDirtÓ as Courtney CoxÕs love interest. He has worked
on several indie films including MAY directed by Lucky McKee and
starring
Jeremy Sisto (ÒSix Feet
UnderÓ, Clueless) and Anna Faris (Scary
Movie 1-4); Hillside Strangler and Night Stalker (lead), directed by Chris Fisher, and White
of Winter (lead) directed by Robert Saitzek
- all Sundance Selections. Midnight Kiss is RobertsÕ first Tribeca appearance. An upcoming project is HBOÕs KUSH directed by York Shackleton.
Twink
Caplan is an American actor, comedian and
producer.
She recently returned from London
wrapping the romantic comedy I Could Never Be Your Woman, playing Michelle Pfeiffer's costume designer with
Paul Rudd as well as Producing.
The film marks her twenty year acting reunion with Michele Pfeiffer
playing
her best friend in Falling
in Love Again.
Caplan will soon be seen playing a vulgar past-her-prime movie star desperate for a come-back in Secrets of `a Hollywood Nurse; B. Lawney, a waitress with Richard Gere, co-starring Claire Danes, in The Flock directed by Andrew Lau; Mary Benett, a hard-edged bus driver for Jerry BruckheimerÕs CSI Las Vegas; and an odd and embittered Aunt June in Changing Spots, directed by Susan Turley.
In Night at the Roxbury Caplan played opposite Will Ferrell and Chris Katan; in
The New Homeowner's Guide to
Happiness she worked with Bonnie Hunt as
the nosey neighbor duo living next door to Demi Moore and Judge Reinhold. The
massive hit that won a People's Choice Award , Look Who's Talking, which starred John Travolta and Kirstie Alley
raising a baby voiced by Bruce Willis, Caplan played Alley's flirty best friend
Rona and went on to do the sequel, Look Who's Talking Too. Caplan played the Home Economics teacher in
"Fast Times," the series with Courtney Thorne-Smith, Patrick Dempsey,
and Wallace Langham.
At Sony Studios Caplan produced "LOSER" starring Jason Biggs and Mena Suvari. Caplan played Mena's best friend at work (a nude dance bar). She is probably best known for her role as Miss Geist in the hit Clueless, starring Alicia Silverstone, Brittany Murphy and Paul Rudd. Caplan went on to play Miss Geist in the ABC series "Clueless" as well as Executive Produce.
Her favorite project is the just finished In Search of a Midnight Kiss, with her favorite director, Alex Holdridge, playing a newly divorced mother living in Florida --mother to Scoot McNairy.
Nic Harcourt (Radio DJ)
Regarded as being the
ultimate ÒtastemakerÓ in music and named the Òmost influential DJ in AmericaÓ, Harcourt
has been an innovator as Music Director at the influential Los Angeles radio
station, KCRW, and as host of the
highly acclaimed music programs, ÒMorning Becomes EclecticÓ and "Sounds EclecticÓ.
Harcourt has through the years been an early champion of many artists including Coldplay, Dido, Moby, Death Cab For Cutie, Massive Attack, Interpol, Franz Ferdinand, KT Tunstall, Arcade Fire, Damien Rice, Jem, Pete Yorn, David Gray and Norah Jones.
HarcourtÕs talents have made him
uniquely suited to select innovative music for motion pictures, television and
commercials. His program is monitored daily by studio and advertising
executives. Harcourt has worked as a music consultant and/or music supervisor
for such television shows as ÒQueer as FolkÓ, ÒLife As We Know It", "In
Justice", ÒWhat About BrianÓ
and ÒLove MonkeyÓ (for which he was also a Co-Producer), as well as
advertising campaigns for Mitsubishi Motors, AppleÕs Ipod and VictoriaÕs Secret. During the next year, Harcourt will be
the Òvoice of Land RoverÓ for all of their television and radio
commercials. He has helped to
select music for the motion pictures Ice Age, Ice Age II, Anchorman, Igby Goes Down and the
upcoming movies Gone Baby Gone
(directed by Ben Affleck) and Pride and Glory (starring Edward Norton, Colin Farrell
and Jon Voight). He has also
compiled and produced several volumes of live performance CD's under the SOUNDS
ECLECTIC name and has completed and released his first book, MUSIC LUST
(Sasquatch Books).
Harcourt also
produces and hosts a monthly half-hour segment called ÒSecond Sunday with Nic
HarcourtÓ, on the television show ÒBreakfast
With the ArtsÓ for the A&E
network, which focuses on new and emerging musical talent. He has filmed episodes which include
interviews and performances from such artists as DAMIEN RICE, SI SE, BRAZILIAN
GIRLS, GUSTER, REM and THE PINKER TONES.
Biographies – Filmmakers
Alex Holdridge
(Writer/Director) went from high school
valedictorian to straight-A college graduate to English major drop out. He says movies are to blame. He eked out his first feature, Wrong
Numbers, while delivering chicken, waiting tables, and seeming like
the could-have-been-something child.
It went on to win the audience award at the Austin Film Festival and
attracted attention from multiple studios in Hollywood. Working with his good friend, Jessica
Bendinger (Bring it On, Stick
It), he developed it as a re-make with Red
Wagon (Gladiator). When the opportunity came to direct another
script he had written, Sexless,
he took it. Sexless won both the Jury and the Audience Award at the
South by Southwest Film Festival and is the only movie to have done so since
its inception. In Search
of a Midnight Kiss is inspired by his
transition to full-time life as a writer, director and human in L.A.
Seth Caplan (Producer)
is a Chicago born award-winning filmmaker
who has worked for production companies in New York, Los Angeles, and
Amsterdam. Seth co-founded Enspire Learning, where he produced e-learning
courses for Harvard Business School and the Department of Education. He holds
degrees from the University of Texas at Austin and an M.F.A. from the American
Film Institute. Caplan's thesis film "Duncan Removed" was honored
with a student Emmy and was nominated for a Student Academy Award. His next
project, "FLATLAND: THE MOVIE" is an animated film featuring the
voices of Martin Sheen, Kristen Bell, and Tony Hale.
Anne Walker-McBay (Executive
Producer) has produced: Dazed
and Confused,
Before
Sunrise, SubUrbia, The Newton Boys, Waking Life, Tape, Before Sunset,
Levelland, A Scanner Darkly, and Infamous. Anne recently started her own production company,
Texas Avenue Films. Her current
projects include the documentary: ÔA Place to DanceÕ, ÔThe Two BobsÕ, and the
American adaptation of 13 Tzameti.
Robert Murphy (Director of Photography) also plays Jack-meaux, Vivian's ex-boyfriend and his band, Sybil, has a couple of songs featured on the film's soundtrack: "Discolite" and "Mocha Queen."
Murphy has been shooting films and making music for 17 years. After growing up in the cultural mecca of Beaumont, Texas, he attended the University of Texas where he majored in film and English. Since then he has worked on a variety of film and video projects, ranging from a stint as a production assistant on Waiting for Guffman to a gig as the cinematographer of a French rap video for Tony Parker's record label.
Murphy has written and directed one feature, All Night Boogie, in which he also starred. He has also worked as the cinematographer on three independent high definition projects this past year, including horror film Christian Roane and comedic thriller Grammy's.
In his spare time, Murphy enjoys jamming with Sybil, who has had their extensive catalog of music featured on MTV's ÒThe Real WorldÓ, the Dr. Demento radio show, XM Radio, and college radio stations across Texas.
MurphyÕs heroes
include Stanley Kubrick, Kurt Cobain, James Brown, Martin Scorsese, Liz Phair,
Fiona Apple, his mom, dad, brother, close friends, Fellini, and Vince Young.
Frank Reynolds (Editor) has edited seventeen feature films. The most well-known is Miramax's In The Bedroom,
which was a Best Picture nominee at the
2002 Academy Awards. His most recent project The Alphabet Killer, is a suspense/horror film starring Eliza Dushku, Timothy Hutton and Cary Elwes, and directed by Rob Schmidt (Wrong Turn, "Masters of Horror.") Reynolds edited the 2005 South African film Cape Of Good Home; the 1999 Fine Line comedy Man Of The Century; the 1996 cult film Tromeo & Juliet; and M. Night Shyamalan's first feature, 1993's Praying With Anger.
Jacob Vaughn (Editor) began his film career at the age of 10 with a film
called ÒJake, P.I.Ó, shot on his dadÕs JVC camcorder. JacobÕs graduation from the University of Texas was followed
by brief stints selling tickets to a comedy show, working at the Austin Film
Society as the program coordinator, and going on walkabout around Mexico. Jacob
produced, shot, and edited Dear Pillow in 2003. The film
premiered at
the Slamdance Film Festival and
went on to corrupt audiences around the globe, eventually earning an
Independent Spirit Award nomination. In 2005 Jacob Vaughan directed The
Cassidy kids which premiered at the SXSW
film festival. He is currently
writing a script to be shot in Houston and Mexico.